Two years ago, I went on a trip to Disney World with my partner during Reading Week. The trip would be my 5th time to “the World” but my first time going without the family, including my mom who is obsessed with taking the same pictures, by the same landmarks every time we go. Having … Continue reading
Kara Walker’s art installation, A Subtlety includes several dramatic figures alluding to African American involvement in the sugar trade constructed from white sugar and molasses. The most prominent piece of the installation is a large Mammy Sphinx featuring prominent breasts and buttocks all made out of white sugar. Other figures include children made of molasses … Continue reading
The term “digital storytelling” is often used to describe the mediation of personal stories online (Smith and Watson 71), which is particularly apt when it comes to the carefully curated versions of self seen in social media. Any user of social media has, sometimes subtly and sometimes obviously, altered his or her self on social … Continue reading
Smith and Watson’s Virtually Me expands their pre-existing work on autobiography, into digital spaces which they state is, “categorically different from what is understood as traditional life writing” (70). Part of what we have been talking up to this point in the class is how digital photographs are presented online and how different types of … Continue reading
In “Virtually Me”, Smith and Watson build upon concepts from their book to provide a toolbox that attends to the way users create themselves online. The authors define the self as a marker of reflexivity, both online and offline. The self is constructed by the user, and represents the user – but it is not … Continue reading