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Martin Lister’s fascinating article, “Overlooking, Rarely Looking, and Not Looking” problematizes the sheer mass of digital photography stored online and on hard drives of cell phones, cameras, and computers. Lister argues that we are “drowning” (15) in snapshot images that are boring, mediocre and generally never even looked at (5). These sprawling masses of .jpgs … Continue reading
The following websites are user-submissions sites that can act as communicative objects. Each entry follows a meme-like formula that is repeatable and shareable, acting as objects of exchange for users due to their “universal” nature. Dog Shaming Dogshaming.com posts submissions of photographs of dogs after they have done something naughty. Usually there is a handwritten … Continue reading
In a recent profile, Paper Magazine writes that “social media has created a new kind of fame and Kim Kardashian is its paragon.” Dubbed by Paper as the “High Priestess of Instagram,” Kardashian celebrated 27 million followers yesterday with a selfie of her butt. She now has the highest number of followers on the site … Continue reading
Working on separate projects during the early 1900s, Edward Curtis and Adam Vroman both took thousands of photographic images of Indigenous groups in the United States. Edward Curtis did so with the explicit intention of documenting a “vanishing race” of people for preservation in American archives. One New York Times reviewer reflects on this project … Continue reading
Agency How does an author “writing back” to hegemonic institutions/dominant narratives allow her to gain agency? Audience/Addressee Who does the text address; are there multiple audiences? What kind of reader does the text ask you to be? Authority/Authenticity Is the narrator authoritative? Does the narrator defer to an established authority figure to give clout to … Continue reading
Rhetoric of the Digital Image 